‘In the Hand of Dante’ Review: Julian Schnabel’s Disastrous Divine Comedy About Dante Alighieri Is His ‘Megalopolis’ 

Venice: The painter/filmmaker’s 700-year-spanning shrine to the Italian poet gives us two Oscar Isaacs — one in present-day, the other in 14th-century Florence and Renaissance Faire garb — and a wizened, bearded Martin Scorsese. It ends up feeling like late-stretch Terry Gilliam, and not on purpose.